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The first half of this book is an indispensable treatise on WHY cuts in film/video work and WHAT separates good cuts from bad cuts. Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film. Murch views, I guess I'll revisit this book again when I'm starting to apply his view in my work in a couple months. Murch ofrece explicaciones sencillas a problemas complejos que le hacen a uno replantearse la forma de entender una película, además de apreciar el enorme trabajo artístico de los montadores. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average.

You can change your choices at any time by visiting Cookie preferences, as described in the Cookie notice. held að það sé mikilvægt fyrir mig sem klippara að rekja sögu klipps frá byrjun og fá innsýn inní vinnubrögð fyrri tíma. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. In particular, Murch uses his experience editing The English Patient to explore the digital side of editing.Margt af því sem Murch bendir á varðandi möguleg vandamál við klipp í stafræna heiminum vs analog er eitthvað sem ég get tengt við og lært af.

My first instincts about the book were correct: this is about the theory of editing: what a cut is, what it does, how it works, why it works. If In the Blink of an Eye was to be distilled to its essence, the 'original ideas' would take no more space than one and a half pages. By using the Web site, you confirm that you have read, understood, and agreed to be bound by the Terms and Conditions. It contains much the same (and more) content and is crafted by Ondaatje to emphasize not just Murch's genius, but also his humility and eager, genuine curiosity.

According to The Film Stage, the book “is often considered the essential literary source on film editing. p. 55 So, instead of fixing the scene itself, you might clarify some exposition that happens five minutes earlier. Most of what we experience visually from the moment we get up is a continous stream of linked images.

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